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The Raw Shark Texts

Saturday, April 11th, 2009

raw shark textsOK, so I’m not exactly up to date with this book. It came out two years ago, and I didn’t know anything about it until I stumbled on it in the library a couple weeks ago. A new library, at that. One with info signs in Russian as well as English and Spanish. And a blonde librarian with high cheekbones and an accent that made me want to tango.

Resisting the urge to find out anything at all about Stephen Hall, I am confining myself to the delight I experienced reading his book. Reading should be fun, books should make us fall in love with reading all over again, make us feel young of brain, and clever. Check, check, checkcheck. Textured, thoughtful, grown-up fun.

It’s not the characters so much–postmodern, anxious, alienated, and pretty clueless about themselves (Ian, the cat, excepted)–or the situation: loss of memory, quest for self (though I am a bit of a sucker, especialy where language is concerned, the plumbless depths of words, etc.)–I’d have to say it’s the high seas adventure of it. No literal seas, although that could be argued. It’s more of a meme.

And when one feels lost, Hall will throw you a rope and haul you back in the boat. He’ll even paddle around waiting for you to catch up. I like feeling a little lost here and there, unless it’s Paul Auster, in which case I break out in hives and return the book to the library.

“Who Are You Really, And What Were You Before?” With a chapter title like that, you can just sit back and drift for a while before reading the chapter. Words in the shape of a shark, swimming toward you across successive pages, then opening its mouth–scaryfunny. There are so many facets tempting one to natter on and on. I may have to read it again, just to refresh the nattering.


Neddie is my hero

Tuesday, February 17th, 2009

neddiadIt is good to have a hero. I have wanted to have one for a long time, but just didn’t know it. Then I met Neddie Wentworthstein, protagonist of Daniel Pinkwater’s The Neddiad: How Neddie took the Train, Went to Hollywood, And Saved Civilization. sigh. That was a sigh of contentment. Neddie is perfect for me. He’s a happy kid, truly cheerful, and ready for any adventure that comes along. He reminds me that our lives are full of adventure, they really are. I mean, look at your parents: Who could have imagined them? Not to mention spouses and children and friends! Yes! We get to have friends in this crazy adventure, like Yggdrasil Birnbaum (who appears later in the book). When Neddie asks her if people call her Iggy, she says, “Yes they do—once. Then I pop them in the nose. Care to give it a try, military school boy?” My friends say cool things like this ALL the time! I bet yours do, too. Neddy makes me happy. He does go to a military school, because his friend Seamus goes there, but it’s a military school run by retired movie actors, so it’s different from what you might expect. The book is crazier than a box of weasels (chapter 17). There’s a shaman named Melvin, an actual mastadon, a ghost bellboy, the La Brea Tar Pits. sigh. It’s heaven. I may just have to read it again. Mr. Pinkwater, thanks for Neddie.


kindle is a noun these days

Monday, January 5th, 2009

kindle readerI like it better as a verb, though. Getting something started, lighting a fire. Which is why it was chosen as a name for an electronic book. I have no plans to own one, preferring the old fashioned feel of paper, turning pages, using random objects for bookmarks, losing my place, misplacing the book and finding it under a chair after the Christmas tree is taken down, that sort of thing. Amazon is responsible for the Kindle, my husband tells me. He has just formatted an electronic version of my book, “For Glory”, so that it is Kindle-ready, should someone with a brandspankin new Kindle want something to put on it, possibly to read. He was also busy creating an ordinary ebook, for the equally rare person who might wish to read it in that format. Go, Rare People! I applaud you! You spark my imagination. I would have said kindle, but that would have been way too over the top, one of those things we are free to think but really shouldn’t put down on the page. Or blog. I am equally inspired by the random, rare, possibly imaginary blog reader, as well. Go, you. The one feature of the Kindle that makes me think that I’ll probably ending up using one one day is the adjustable font. You can make the print really large. Large enough that if I misplace my reading glasses, it wouldn’t cut into my reading time. The resulting page reminds me of a children’s book, the kind with 20 or 30 words per page. Which might be a problem. With the words isolated like that, I tend to get distracted from the plot and start playing with words. Which would be OK on another level because it would mean I could still think about words and not be lost in dementia. Thinking of one’s writing as kindling is kind of sad, though. Or frightening. It was the word dementia that got me here, intimations of a lost self before death. No dementia in “The Curious Case of Benjamin Button,” did you notice that? Everyone keeps their marbles right up to the moment of peacefully closed eyes at the end. Very soothing. So, let me know if you have tried a Kindle. We’ll chat about death another time. Happy New Year.


Who Likes Peter Hoeg?

Friday, August 1st, 2008

Things Scandinavian are often an acquired taste, like that potted fish stuff, and some of the furniture. Peter Hoeg is more fun, but not everybody gets his books. Smilla’s Sense of Snow is his best known and most traditional work. I liked it for its tough protagonist–a woman part Inuit, part Bogart. Nothing like the femininized version you see in the freaking movie. In fact, you can read the book thinking that Smilla is really a man and everything still works. I just finished The Quiet Girl, more an extended hallucination that traditional narrative. I had to put the book down a few times and take a breath. Then I started putting it down so I could write down some of the amazing riffs on philosophy, music, love, earthquakes, nuns, etc. But when I did that I’d forget where I was and what I was doing. Getting back into the narrative, rereading, I felt I was picking up someplace I hadn’t been in the novel before. Alienation never felt so good. Hoeg does that, makes you feel that existential isolation is cool, that maybe you should start smoking cigarettes again. Our souls are warped and scarred, but we can still pray to SheAlmighty and things will happen and we’ll figure out how to rescue ourselves so we can make more mistakes and get lost all over again. See? Cool. I made a big mistake and took this book out of the library. I want to go exploring in it and find some of those mystical passges again. When the paperback comes out, I’m getting one and marking it up the way I used to do with Thomas Hardy. Hardy would love Hoeg. Doomed relationships between the sexes, deathbed reconcilliations with parents one has mistunderstood and neglected. Hardy might have requested more description of Nature (capital N,) but Copenhagen’s weather might have satisfied. The device that gives The Quiet Girl its magic is the protagonist’s ability to hear the music of every person and every situation and relationship. Kasper believes that SheAlmighty has tuned every soul to tones laid down by JS (almighty himself) Bach. Kasper can hear intimacy, can hear the tones of grief and sexual arousal, can hear the entire history of his relationship with his father, not to mention the mysterious woman who desires and distrusts him. The only person he can’t hear is the young girl that gives the novel its title. She represents an absence of sound that has numinous layers of meaning. Don’t you hate it when people use words like numinous. Me, too. Let’s move on. Less interesting is the fact that Kasper is a professional clown. A world class clown. With a shitload of bad debts. Yeah, yeah, I get it. We’re all clowns and we all have metaphorical bad debts and can’t be trusted. Boo hoo. Rather than feel sorry for ourselves, we might consider that clowns can be entertaining. They have their own magic (when they’re not terrifying small children or audiences foolish enough to go see “The Dark Knight” at an IMAX theater), and they can pull coins and chocolates out of our ears. We all have to do the Hokey Pokey sometime.